Plantation & Legalization

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The proposed plantation headquarters in Besout, Perak, showcases a contemporary industrial architecture that emphasizes functional efficiency while harmonizing with its rural plantation context. Anchored by a two-storey linear block, the design features a rhythmic façade of vertical fins and recessed glazing, which effectively provide solar shading for Malaysia’s tropical climate. A restrained palette of off-white and charcoal is complemented by terracotta-toned masonry, visually grounding the building within its earthy agricultural surroundings. Flat, cantilevered rooflines and deep overhangs define a clean modern silhouette while offering essential protection for walkways and parking areas from heavy rainfall and intense sunlight.

The master plan is structured around clear operational zoning, integrating administrative functions with logistical needs through an efficient site layout. Wide circulation routes accommodate heavy vehicles and machinery, including a dedicated weighbridge facility, while the main building is strategically oriented to overlook the surrounding plantation. Existing greenery is largely preserved and supplemented with peripheral landscaping to soften the transition between built form and cultivated land. Through the use of robust materials and sustainable design principles, the headquarters stands as a contemporary landmark reflecting the industrial progression of the Besout agricultural sector.

The architectural design of Surau Tasik Chini offers a contemporary reinterpretation of the traditional Islamic prayer hall, blending modern industrial expression with earthy, tropical materiality. The building is distinguished by its extensive use of exposed red brick and broad planes of black framed glazing, establishing a warm yet refined visual identity. A tiered hipped roof form draws inspiration from traditional Nusantara mosque architecture, lending vertical emphasis while allowing natural daylight to filter into the interior through clerestory openings. A slender, minimalist minaret acts as a subtle vertical marker within the composition, while a sheltered courtyard and surrounding walkways enhance permeability and strengthen the building’s relationship with its natural setting.

Internally, the surau is conceived as a calm and open spiritual space defined by clarity and restraint. The main prayer hall is expressed as a generous volume finished in a neutral white palette, enabling shifting patterns of light and shadow to enliven the interior throughout the day. Patterned grey floor tiles introduce a delicate geometric rhythm underfoot, complemented by exposed brick accents that maintain continuity with the exterior architecture. Large sliding glass doors further dissolve the boundary between inside and outside, fostering a serene, naturally ventilated environment that responds sensitively to the lakeside context of Tasik Chini.